Sainkho Namtchylak (born 1957) is a singer originally from Tuva, a small autonomous republic in the Russian Federation just north of Mongolia. She is known for her Tuvan throat singing or Khöömei.

With her shaved head and seven-octave range, Sainkho Namtchylak would stand out on any stage. Add her particular mix of Tuvan throat-singing and avant-garde improvisation, and she becomes an unforgettable figure. The daughter of a pair of schoolteachers, she grew up in an isolated village on the Tuvan/Mongolian border, exposed to the local overtone singing — something that was generally reserved for the males; in fact, females were actively discouraged from learning it (even now, the best-known practitioners remain male, artists like Huun-Huur-Tu and Yat-Kha). However, she learned much of her traditional repertoire from her grandmother, and went on to study music at the local college, but she was denied professional qualifications. Quietly she studied the overtone singing, as well as the shamanic traditions of the region, before leaving for study further in Moscow (Tuva was, at that time, part of the U.S.S.R.). Her degree completed, she returned to Tuva where she became a member of Sayani, the Tuvan state folk ensemble, before abandoning it to return to Moscow and joining the experimental Tri-O, where her vocal talents and sense of melodic and harmonic adventure could wander freely. That first brought her to the West in 1990, although her first recorded exposure came with the Crammed Discs compilation Out of Tuva. Once Communism had collapsed, she moved to Vienna, making it her base, although she traveled widely, working in any number of shifting groups and recording a number of discs that revolved around free improvisation — not unlike Yoko Ono — as well as performing around the globe. It was definitely fringe music, although Namtchylak established herself very firmly as a fixture on that fringe. In 1997 she was the victim of an attack that left her in a coma for several weeks. Initially she thought it was some divine retribution for her creative hubris, and seemed to step back when she recorded 1998′s Naked Spirit, which had new age leanings. However, by 2000 she seemed to have overcome that block, releasing Stepmother City, her most accessible work to date, where she seemed to really find her stride, mixing traditional Tuvan instruments and singing with turntables and effects, placing her in a creative firmament between Yoko and Björk, but with the je ne sais quoi of Mongolia as part of the bargain. A showcase at the WOMEX Festival in Berlin brought her to the attention of many, and in 2001 a U.S. tour was planned.

Out of Tuva

All of these products will sound very similar.
You will hear the sound of the rain and possibly a very slight pulsing sound in the background. The sound is repetitive, soothing and relaxing.
The brainwave entrainment is programmed into the rain sound that you hear in the download. As you listen to the gentle sound of the rain the entrainment programing is taking effect and changing your brainwave pattern to the required frequency.
These products do NOT contain music or subliminal messages. Overwhelming scientific evidence suggests that accurate brainwave entrainment is not effective when embedded in music or accompanying subliminals. Vocal or musical content is only appropriate when attempting to work in the lighter alpha frequency ranges.
More info: http://www.meditation-power.com
Open the site, and see the left side, there are all the Mp3 titles, and when you click on any Mp3 you will see its description, so which one you like to download, or if you wanna download all….

Uploading